国际艺术风向标人物——世界著名艺术家陈秀梅专题报道

International Art weathervane -- special report of world famous artist Chen Xiumei

 

陈秀梅，女，满族，辽宁海城人。毕业于西南师大美术系国画专业，进修于北京画院王文芳导师工作室，中国美术家协会会员，国家一级美术师，宁夏书画院专业画家，宁夏山水画研究院画家。宁夏文史馆研究员。

1992年全国“国防杯”书画展，《归乡图》获优秀奖；

1999年庆祝中华人民共和国成立50周年《千岩竞秀》获铜奖；

2000年纪念毛泽东《在延安文艺座谈会上的讲话》发表60周年全国美术《塞上情》入选；2003年第七届全国少数民族体育运动书画展《塞上秋深》入选；

2004年第二届中国西部大地情全国展《山远疑无树、云波似海流》获优秀奖；

2004第二届全国少数民族美术作品展《春山一路鸟空啼》获纪念奖；

2004年当代中国画家收藏交流展《三里人家》获三等奖；

2006年赴香港，台湾举办画展；

2006年第三届中国青岛艺博会《坡上情更浓》获银奖，同年作品被宁夏回族自治区人大会堂收藏；

2007年北京荣宝斋举办八人画展，赴上海参加女画家画展，赴宁夏固原举办送温暖书画展；2008年纪念李可染先生诞辰100周年被强档推出为“第三代弟子”称号；

2009年作品入选全国首届荷文化艺术展并获金奖；

2011年作品入选全国女画家书画展；

2011年10月参加中韩第二届书画展；

2012年由深圳政府邀请在深圳罗湖区文化广场举办个人画展；

2012年在中央党校参加百位书画名家优秀作品展；

2013年中国国际集邮，国家邮政，电信部门为做出重大贡献的当代知名艺术家发行的纪念珍藏邮册，共有六福发行；

2014年参加建国65周年，由中国邮政在全国发行个人中国画邮票；

2015年参加宁夏书画院建院30周年书画展；

2016年作品被天津济海艺术馆收藏；

2017年作品被宁夏回族自治区宁夏美术馆收藏；

2017年2月被中国好品牌人物榜网络评选为，中国书画品牌网，中国品牌影响力书画家。2017年5月参加中国好品牌艺术人物榜，品牌影响力艺术形象大使。

2018年参加宁夏书画院在甘肃美术馆举办中国梦一宁夏情书画作品展。

2018年被邀请参加纪念赵朴初先生诞辰110周年主题中国画大展；

2018年庆祝改革开放1978一2018中国当代书画艺术领军人物大型文献类珍藏邮册；

2019年作品被银川市委二楼会议厅收藏；

2019年9月塞上江南、美丽宁夏全区书画展。

2019年参加全国百名画家“真迹杯”（峥嵘七十载与祖国同梦）书画活动并获得了（中国国画）名家年度展“金奖”授予最具有艺术价值画家，和最有实力国画家称号。

2020年参加宁夏回族自治区和旅游厅，宁夏书画院，宁夏美术馆举办的“塞上江南，美丽宁夏”主题美术展。三幅作品入选，一幅作品被宁夏回族自治区宁夏美术馆收藏。

2021年6月纪念长征胜利85周年，作品入选穿越长征建党10O周年全国书画主题创作展。

2021年6月10日“千秋伟业.百年辉煌”庆祝建党100周年，主题美术创作展，由宁夏书画院主办，一一在宁夏银川美术馆展出。

Chen Xiumei, female, Manchu, native of Haicheng, Liaoning. Graduated from the Department of Fine Arts of Southwest Normal University, majoring in traditional Chinese painting, and studied in Wang Wenfang's tutor studio at Beijing Painting Academy. Researcher at Ningxia Museum of Culture and History.

1992 National "National Defense Cup" painting and calligraphy exhibition, "Homecoming Picture" won the Excellence Award;

In 1999 to celebrate the 50th anniversary of the founding of the People's Republic of China, "Qianyan Jingxiu" won the bronze award;

In 2000, in commemoration of the 60th anniversary of the publication of Mao Zedong's "Speech at the Yan'an Literature and Art Symposium", the national art "Forbidden Love" was selected.

In 2004, the 2nd National Exhibition of Land Conditions in Western China, "There are no trees in the mountains, and the clouds and waves are like the ocean currents" won the Excellence Award;

In 2004, the 2nd National Minority Art Works Exhibition "The Birds Cry all the way to Spring Mountain" won the Commemorative Award;

In 2004, the collection and exchange exhibition of contemporary Chinese painters "Sanli Family" won the third prize;

In 2006, he went to Hong Kong and Taiwan to hold art exhibitions;

In 2006, the 3rd China Qingdao Art Fair "Love on the slope is stronger" won the silver award, and the work was collected by the Great Hall of the People of Ningxia Hui Autonomous Region in the same year;

In 2007, Beijing Rongbaozhai held an eight-person painting exhibition, went to Shanghai to participate in a female painter's exhibition, and went to Ningxia Guyuan to hold a painting and calligraphy exhibition to send warmth; in 2008, in commemoration of the 100th anniversary of Mr. Li Keran's birth, he was promoted as the "third generation disciple" title by a strong file;

In 2009, his works were selected for the first national cultural and art exhibition and won the gold medal;

In 2011, his works were selected into the National Female Painter Painting and Calligraphy Exhibition;

In October 2011, he participated in the 2nd China-Korea Painting and Calligraphy Exhibition;

In 2012, he was invited by the Shenzhen government to hold a personal painting exhibition in the Cultural Square of Luohu District, Shenzhen;

In 2012, he participated in the exhibition of outstanding works of 100 calligraphy and painting masters at the Central Party School;

In 2013, the commemorative collection stamp albums issued by China International Philatelic, State Post and Telecommunications Departments for contemporary well-known artists who have made great contributions are issued by Luk Fook;

Participated in the 65th anniversary of the founding of the People's Republic of China in 2014, and issued inpidual Chinese painting stamps nationwide by China Post;

In 2015, he participated in the painting and calligraphy exhibition of the 30th anniversary of the establishment of the Ningxia Painting and Calligraphy Institute;

In 2016, the works were collected by Tianjin Jihai Art Museum;

In 2017, the work was collected by Ningxia Art Museum of Ningxia Hui Autonomous Region;

In February 2017, he was selected by the China Good Brand Person List Network as the Chinese Painting and Calligraphy Brand Network, and the Chinese brand influential calligrapher and painter. In May 2017, he participated in the list of Chinese good brand art figures, and the ambassador of brand influence art.

In 2018, he participated in the Ningxia Painting and Calligraphy Institute in Gansu Art Museum to hold the Chinese Dream of Ningxia Love Painting and Calligraphy Exhibition.

In 2018, he was invited to participate in the Chinese painting exhibition on the theme of the 110th anniversary of Mr. Zhao Puchu's birth;

In 2018, a large-scale documentary collection stamp album of the leading figures in Chinese contemporary painting and calligraphy art from 1978 to 2018 was celebrated;

In 2019, the works were collected by the conference hall on the second floor of the Yinchuan Municipal Party Committee;

In September 2019, there will be a painting and calligraphy exhibition in Jiangnan and beautiful Ningxia.

In 2019, he participated in the painting and calligraphy activities of the 100 National Artists' "Authentic Cup" (Seventy Years of Greatness and the Motherland) and won the "Gold Award" in the annual exhibition of famous artists (Chinese traditional painting), which was awarded to the most artistically valuable painter and the title of the most powerful Chinese painter. .

In 2020, he will participate in the themed art exhibition "On Jiangnan, Beautiful Ningxia" held by Ningxia Hui Autonomous Region and Tourism Department, Ningxia Painting and Calligraphy Institute, and Ningxia Art Museum. Three works were selected, and one work was collected by Ningxia Art Museum of Ningxia Hui Autonomous Region.

In June 2021, to commemorate the 85th anniversary of the victory of the Long March, the works will be selected for the National Painting and Calligraphy Theme Creation Exhibition of the 100th Anniversary of the Founding of the Party through the Long March.

On June 10, 2021, "A thousand years of great achievements. A century of glory" will celebrate the 100th anniversary of the founding of the Communist Party. The theme art creation exhibition, sponsored by the Ningxia Painting and Calligraphy Institute, will be exhibited at the Ningxia Yinchuan Art Museum.

 

 

4m×1.45m 庚子年创作 云起贺兰山，溪水暖人间

4m×1.45m Created by Geng Zinian Clouds rise from Helan Mountain, streams warm the world

红树醉山乡 4m×1.45m 2021年创作

Mangrove Zuishan Township 4m×1.45m Created in 2021

暖风生麦气尽染绿野秀 2m×1m 戍戊年创作

Warm wind and wheat gas dyed the green field show 2m×1m Created in the fifth year of Shu

4.95m×2.46m 群山叠嶂秋色晚 、贺兰魏魏烟雨中

4.95m×2.46m The mountains are stacked and the peaks are in the evening, in the misty rain of Helan, Wei and Wei

1.24m×1.46m 吴中一片新面貌

1.24m×1.46m Wuzhong has a new look

山塬瑞气新 2m×2m

The new mountain 2 m×2 m

秋风吹过贺兰山，白云深处是我家 2m×2m

The autumn wind blows Helan Mountain, my home is deep in the white clouds

2 m×2 m

塞上明珠黄河水流 2m×2m 2022年创作

Stuffed on the Pearl Yellow River 2 m×2 m Created in 2022

桃花醉山乡 1.4m×1.2m 2022年创作

Peach Blossom Drunk Mountain Township 1.4m×1.2m Created in 2022

2.48m×2.46cm 好风吹送贺兰山，红树尽染醉秋乡

2.48m×2.46cm The good wind blows Helan Mountain, and the mangroves dye the drunk autumn village

4m×1.45m 斜阳好在溪水外，贺兰东簏白云间

4m×1.45m The setting sun is good outside the stream, among the white clouds in the east of Helan

4m×2m 塬上秋色满，红树醉山乡

4m×2m On the plateau, the autumn colors are full, and the mangrove Zuishan Township

四条屏34cm×136cm

Four screens 34cm×136cm

巍巍贺兰山，金秋阳光暖 1m×2m 2021年创作

Weiwei Helan Mountain, Golden Autumn Sunshine Warm, 1 m ×2 m, created in 2021

1m×2m 深山藏古寺

1 m ×2 m deep mountain Tibetan temple

1m×2m 桑田相对起山下有人家

1 m ×2 m Compared with Sangtian, there are people at the foot of the mountain

68cm×136cm 2020年创作

68cm×136cm created in 2020

68cm×136cm

68cm×136cm

68cm×136cm

68cm×136cm

68cm×136cm

1m×2m 黄河之水天上来

1m×2m The water of the Yellow River comes from the sky

1m×2m

屹然天立镇中流

——解读陈秀梅山水画的成就及其艺术

文：张弛

时代变了，思想感情变了，内容变了，技法一定要变。山水画也要有思想内涵的。

鲁迅先生说：旧形式不能适应新内容，必有所增益和删除，就有所改革。

有些人专以仿古为能事，没有自己的感受，自然就沦入公式化，如屈原和他的《离骚》，司马迁和他的《史记》，黄公望和他的《富春山居图》，张择端和他的《清明上河图》，颜真卿和他的《祭侄稿》，岳飞和他的《满江红》等等。

又如李白、梁楷式的那种洒脱和风度。这种风度，也就是古人所谓的“狂”。

但是，这种“书生留得一分狂”，在中国历史上则留下了他们的芳名。这种“狂”，是一种情感的外化，一种自由精神的载体，人类的创造性，往往缘于这种自由的“狂放”。阮籍和嵇康等“竹林七贤”就是最典型的代表，后来陆续还有李白、苏东坡、徐渭、石涛等。

一个真正的艺术家，一定是一个有担当的人。

他关注社会，关注现实，关注人生，具有“成教化，助人伦”的担当。当代中国画坛，山水画家可谓多矣，但并非所有的人都具有那种驾驶时空、挥洒自如的大家气象。她，表现出山水的气势、境界和精神风骨，从而传达出千年一脉的中国文化精神。她，就是独步当代的陈秀梅。她的山水画是另一番气象。

陈秀梅“大家气象”，雄浑、博大、开阔、崇高、自由、昂扬。她承继传统，严守法度，又能放笔直取，真意皆出，具有震撼人心的艺术力量。我一向认为，在山水画中，无风骨何以论气势？无气势何以论境界?但“风骨”和“气势”首先从“意象”而来。黄宾虹说，胸中自有神奇，造化自为我有；将客观的视觉探求与内心的情感倾诉浑化为一，从而提炼升华出一种全新的意象符号，形成画家笔下的“第二自然”。

陈秀梅的山水画就在于她对“意象”提炼的精道，对于“第二自然”表现上的自由、通达和深邃。陈秀梅在山水画中将“观物”与“观我”的内涵进行了深刻的笔墨阐释，她画的是山而非山，非山而皆山，她的主观情感以山水为寄托，山水是其情绪的外化。读者会从她的山水画中，读出她那豪放爽朗的性格，读出热情而简洁的语言。她那看似横扫直抹、一挥而就的笔墨，其实是用“慢动作”描绘出来的“这一个”。故而山苍树秀，水活石润，一派浑厚华滋之貌。

人们皆赞赏陈秀梅及其作品的男人气质，殊不知，她的一切阳刚之美皆蕴于阴柔之美中。

她画山水大幅以得势为主，山得势，林木得势，虽参差向背不同，而各自条畅。石得势，虽奇怪而不失理，即平常亦不为庸；山坡得势，虽交错而知不繁乱。

您透过陈秀梅的山水画，似乎可以悟出三昧；所谓“势”不单单是山石草木的排列组合，不单单是位置上的经营安排，它主要是画家审美精神的自由流淌，是主体创造思维通过山石草木的秩序所形成的一个“情感场”或曰“意象群”。

陈秀梅的大幅山水之所以得“势”，并不依靠明显的开合、聚散，或靠草木点缀、云岚的笼罩未整合完善。

她善于以气造势，以势御气，以心中之气将笔墨推出。她往往是浑然一体的擦染之中，在大块墨色的淋漓之中，用简括有力的若隐若现的线条勾勒立骨，草草点点，浑茫而精微，于不经意中，气势俱足，韵味俱足。陈秀梅的山水画中漾溢着浓郁的诗意。尤其是山间的危桥、舟车、幽溪、远渚、杂树、藤萝、牛羊、野鸟，以及村落、屋舍、落晖、炊烟、农夫、牧笛等，宛如精彩的诗句在画面上熠熠生辉。

这使她笔下的山水，不仅可观可望，而且可游可居，雅俗共赏，好看耐品，无愧为山水画中的上乘之作。陈秀梅有扎实的传统之功，却没有沉重的因袭之痕，她更多的是传统笔墨的现代气息。陈秀梅用情笔墨之中，放怀笔墨之外，她对山水的痴情和依恋，简直到了“物我两忘”之境。她爱山，看山，画山，梦山，视一树一石为恋人而终生相许，这次第，怎一个“痴”字了得！所以，我认为她的山水画的最成功之处就在于，她能站在“山水”之上俯瞰大地人间。大气，功底扎实,用笔老练；她构图，墨韵，色彩，都很好。画风大气令人震撼。

中国画的精华，像范宽的《溪山行旅图》这样的作品，是非常激动人心的。如《清明上河图》绝不是仅往两边伸展，同时也很注意深度，往深里发展。

艺术上美的抽象的规律往往是最高的境界。

一张画要有最精粹之处——所谓“画眼”；主要的东西可以强调、夸张，竭力描写自己最感兴趣的，最主要的东西，才能引人入胜，打动人心。艺术就怕搔不到痒处。艺术家不仅表现所见，还要表现所知和所想。中国古代艺术家描写的《仙山楼阁图》，就是把最美的建筑放在最美的环境里，这是艺术家根据现实的想象，是现实主义和浪漫主义的结合。中国画家画黄山，绝不是站在某一个固定地点取某一个固定的角度画其眼所仅见，而是全面观察理解以后加以表现，好像是站在黄山的上空。艺术应比真实更高，更集中，更概括。要运用自己的全部修养把自然提高到更美的境界。

罗丹雕刻时就是在石头上逐渐地剥出一个人来，有时连手脚还没有剥出来，但感觉意境够了，就不再剥了。艺术表现总是要求“够”，要求充分体现自己的感受，中国山水画从来讲究气氛。如说：“山中有龙蛇”，就是贯气，又说“苍茫之气”，“含烟带雨”，“挥毫落纸如云烟”，“试看笔从烟中过”等等，都含有这个意思。画好山水画，线条和层次关最难，没有一个大艺术家不追求深厚的。陈秀梅的山水画中真的笼罩着一种气氛，有了气氛画才能活起来。她的山水画中墨是主要的，要画够，明暗、笔触都要在墨上解决，着色只是辅助。技巧是为内容服务的，现代名山大川里面的东西已经变了。就拿动车、电脑、火箭来说，古人是根本想象不到的。现代山水画，要让后代人瞅一眼就知道，这是21世纪的画家作品！

我认为，纯粹的山水画是超不过古人的。我们知道，一种表现方法是一种旋律。和一曲音乐一样，要有统一旋律，或是粗放，或是秀美，不能单纯根据对象，画人物的用笔要和画风景的用笔要统一，远景和近景的用笔要统一，笔调色调本身就代表一种情调。陈秀梅的艺术技巧精湛，风格雄浑，大气磅礴，独步当代。

我相信，她一定能够登上中国山水画的巅峰。

写于2019年4月22日北京淡泊堂