国际艺术风向标人物——世界艺术名人张渊崧专题报道

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胸怀千秋伟业，恰是百年风华，与奥林匹克一路去同行，从2008年北京奥运会，到2014年南京青奥会，再到2022年的北京冬奥会与2023年的中国奥艺会，中国与奥林匹克的四次“约定”，充分彰显了奥运会坚定的参与者、奥运会精神积极的践行者的大国担当。百年余来，现代奥林匹克运动历经风雨，砥砺前行。在全球疫情共克时艰的当下，艺术文化越发成为跨越国界的重要纽带。在北京冬奥会即将来临之际，期待着更多艺术家携起手来，百花齐放，举起象征团结与希望的火炬，为中国文化写下一页又一页华彩篇章。

 

Bearing in mind the great cause of the future, it is a century of glory to walk with the Olympics. From the 2008 Beijing Olympic Games, to the 2014 Nanjing Youth Olympic Games, to the 2022 Beijing Winter Olympic Games and the 2023 China Olympic Games, the four "agreements" between China and the Olympics fully demonstrate the great country responsibility of the firm participants of the Olympic Games and the active practitioners of the Olympic spirit. For more than a hundred years, the modern Olympic movement has gone through wind and rain and forged ahead. At a time when the global epidemic is overcoming difficulties, art and culture has increasingly become an important link across national borders. As the Beijing Winter Olympics is approaching, we look forward to more artists joining hands, letting a hundred flowers bloom, holding up the torch symbolizing unity and hope, and writing colorful chapters for Chinese culture page after page.

 

张渊崧就是一位深耕书法领域的著名艺术家，1940年2月生于陕西中大荔县，毕业于陕西中医学院医疗系。特级书法师、一级美术师、一级作家。政协画院副院长、中国艺术院院士、中华名人、十大国宝级艺术家、中国馆藏级艺术家、中南海特聘艺术家。国家文化艺术评选委员会授予“国家文化艺术家”。国学文化艺术中心授予“国家文化最高成就奖金棕奖”，中国文联授予“人民英雄功勋艺术家”。

中华人民共和国文化部和旅游部授予的“巅峰艺术大师”。10年来多次获国际国内艺术奖项。出版画册80多册，推动文化艺术交流繁荣。又被中国人民文艺家学会等五单位评为“国家文化功勋人物”，又被英国皇家艺术研究院聘为首席艺术家兼高级顾问。中国艺术院院士。中书协会会员。2020年9月18日经国务院共和国人民艺术家评委会授予共和国人民艺术家荣誉称号。

Zhang Yuansong is a famous artist deeply engaged in the field of calligraphy. He was born in zhongdali County, Shaanxi Province in February 1940 and graduated from the medical department of Shaanxi College of traditional Chinese medicine. Super book mage, first-class artist and first-class writer. Vice president of the CPPCC Academy of painting, academician of the Chinese Academy of art, Chinese celebrities, top ten national treasure artists, Chinese collection artists and Zhongnanhai distinguished artists. The national culture and art selection committee awarded "national cultural artist". The Sinology culture and Art Center awarded the "Brown Award for the highest achievement of national culture", and the China Federation of literary and art awarded the "people's hero meritorious artist".

"Top art master" awarded by the Ministry of culture and the Ministry of tourism of the people's Republic of China. Over the past 10 years, it has won many international and domestic art awards. More than 80 picture albums have been published to promote the prosperity of cultural and artistic exchanges. He was also rated as "national cultural meritorious figure" by five units such as the Chinese people's literary and art society, and employed as chief artist and senior consultant by the Royal Academy of art. Academician of the Chinese Academy of Arts. Member of Chinese Library Association. On September 18, 2020, the people's artist of the Republic was awarded the honorary title of the people's artist of the Republic by the people's artist jury of the State Council.

 

获奖者张渊菘颁奖词:书法是一门艺术,但它更是一种文化,你用流动的线条书写着诗意般的古老文化,你用灿烂的笑容告诉别人你很快乐。你用你的书法诠释了你做人做事的风骨。作为享誉世界的中国书画艺术家,您对艺术的执着追求和顽强的拼搏精神,演绎了精彩的艺术人生,在艺术界展现出中国书画匠人的形象,为世界打开了一扇了解中国文化的窗口:作为公众人物,你对国家的情感和对社会的爱心影响着他人,在最需要的时候鼓舞着人们的信心,传递着人与人之间的温情。—— 撰写人:唐国强

 

Award words of winner Zhang Yuansong: calligraphy is an art, but it is also a culture. You write poetic ancient culture with flowing lines, and you tell others that you are happy with a bright smile. You use your calligraphy to interpret your character in life and work. As a world-renowned Chinese painting and calligraphy artist, your persistent pursuit of art and tenacious fighting spirit have demonstrated a wonderful artistic life, displayed the image of Chinese painting and calligraphy craftsmen in the art world, and opened a window for the world to understand Chinese culture: as a public figure, your feelings for the country and love for the society affect others and inspire people's confidence when you need it most, It conveys the warmth between people—— Written by: Tang Guoqiang

 

品读张渊菘作品感悟:张渊菘先生的书法作品。其书法大作立志高远,内禀浩然之气,形体开张、线条雄健、极富弹性和节奏感,有如大海波涛,环折回荡:读来令人荡气回肠是当之无愧的“大国文化形象大使”之称号!

点评人: 沈 鹏

Appreciation of Zhang Yuansong's works: Mr. Zhang Yuansong's calligraphy works. His calligraphy masterpiece is ambitious, with an inherent sense of boldness. It has an open body, vigorous lines, great elasticity and rhythm. It is like the waves of the sea and echoes around: it is refreshing to read, and it is worthy of the title of "cultural image ambassador of a big country"!

Reviewed by: Shen Peng

 

作为一名德高望重的书法家,张渊崧先生在书写形式上,不论屏条、中堂、对联,还是横批、扇面,章法都在驾轻就熟之中。然而在作品上的落墨,构思酝酿、章法布局,都显得更为突出。

观张渊崧先生的书法作品,已呈现出大家风范,“笼天地于形内,挫万物于笔端”,高古净雅,功力深厚,一股诗意的美与纯清的书卷气扑面而来,从容自然中传承出传统书法文化的真髓,令观者如饮醇醪,如听仙乐。长期以来,先生在充分吸收传统文化的基础上,广种博取,古为今用,开拓创新,迈着坚实的步伐一路走来,逐步成为书坛中代表书家之一。

张渊崧先生的书法艺术以楷书和行书为主,从碑和帖当中汲取丰赡的养分,然后独成一家。其楷书上用笔畅达,法度严谨,起伏转折,气韵生动。其行草书上,长期沉潜于“二王”的韵致及于宋四家的天真烂漫与放逸生奇,运笔如挥长戟,十分在意节奏、速度、首尾、中锋等。他深悟书法之精要,充分把握了书法中蕴藉典雅、流美畅达的美学特征,并以自己对线条的独特感受能力,融触碑的劲健、挺拔之长,形成自已神韵兼备,清逸静雅的独特书风。

As a highly respected calligrapher, Mr. Zhang Yuansong is familiar with the composition in the form of screen, nave, couplet, horizontal inscription and fan. However, the inking, conception and layout of the works are more prominent.

 

Mr. Zhang Yuansong's calligraphy works have shown a great style, "cage heaven and earth in the form, frustrate all things in the pen", high ancient and elegant, profound skills, a poetic beauty and pure calligraphy spirit, calmly and naturally inherit the essence of traditional calligraphy culture, making viewers like drinking alcohol and wine, like listening to fairy music. For a long time, on the basis of fully absorbing the traditional culture, Mr. Zhang has been widely cultivated, making the past serve the present, pioneering and innovating, and has gradually become one of the representative calligraphers in the book world.

Mr. Zhang Yuansong's calligraphy art mainly focuses on regular script and running script, draws abundant nutrients from steles and posts, and then becomes a family alone. His regular script is smooth, rigorous, ups and downs and vivid. In his cursive script, he has long been immersed in the charm of the "two kings" and the innocence and strangeness of the song Sijia. His pen is like waving a long halberd. He is very concerned about rhythm, speed, head and tail, center, etc. He deeply understood the essence of calligraphy, fully grasped the aesthetic characteristics of elegance and flowing beauty in calligraphy, and combined the strength and straightness of the monument with his unique feeling ability of lines to form his own unique calligraphy style with both charm and elegance.

 

中国几千年的文明史,书法占居了不可取代的重要位置。它是文化,是艺术,是不可丢弃的 国宝。随着中国科学技术的发展,越来越多文字信息的交流是靠工具传递,很多人只会谈话不会写字,加之中国现代化教学手段对汉文字书写的忽视。我感到了中国书法艺术的危机。中国书法何去何从,不能不使我们这些老的书法工作者,对书法艺术的传承和发展有些担心和优虑。 在一些书画作品集中,我多次看过张渊崧的书法作品。在他作品面前我总是多看上几眼,欣赏之余得到几分安慰和感慨。

张渊崧不仅酷爱书法,生活沉溺在琴涛墨海之中不能自拔。由于他有着良好的书写素质和字外功夫,艺术的互为补信偿,互为借用,互为促进,可谓落笔生花,墨趣横生。 所谓书法是书写的规律和法则,古代《四体书势》、《八绝》、 《三十六法》、 《六体书论》等都是书法,这是古人对书法的理解和经验总结。只有法度与气韵兼备,才能使作品日臻完善。法度就是指笔法、字法,章法和墨法。 笔法指运笔的速度、力度及形态变化;字法是指各种字体笔画的特点和规律;墨法是作品干、湿、浓、淡、润等墨的变化;章法是指作品整体的布局,也可以说是正文、落款及印章的摆布,字与字之间、行与行之间的呼应以及线条表现力给人的直观感觉。张渊崧就是通循书法规律和法则的代表性人物。

In China's thousands of years of civilization, calligraphy occupies an irreplaceable position. It is culture, art and a national treasure that can not be discarded. With the development of China's science and technology, more and more written information is transmitted by tools. Many people can only talk and can't write. In addition, China's modern teaching methods ignore Chinese writing. I feel the crisis of Chinese calligraphy. Where will Chinese calligraphy go? We old calligraphers have some worries and concerns about the inheritance and development of calligraphy art. In some collections of calligraphy and painting works, I have seen Zhang Yuansong's calligraphy works many times. In front of his works, I always take a few more eyes and get some comfort and emotion while appreciating them.

Zhang Yuansong not only loved calligraphy, but also indulged in Qin Tao and ink sea. Because of his good writing quality and extra calligraphy skills, his art complements, borrows and promotes each other. It can be said that his writing is full of flowers and ink interest. The so-called calligraphy is the law and rule of writing. The ancient four body calligraphy potential, eight wonders, 36 methods and six body calligraphy theory are all calligraphy, which is the understanding and experience summary of the ancients. Only with the combination of Dharma and charm can the works become more and more perfect. Testimonies refer to writing, calligraphy, composition and ink. Brushwork refers to the speed, strength and morphological changes of pen movement; Typography refers to the characteristics and rules of strokes of various fonts; Ink method is the change of dry, wet, thick, light and moist ink; Composition refers to the overall layout of the work, or the manipulation of the text, signature and seal, the echo between words, lines and lines, and the intuitive feeling of line expression. Zhang Yuansong is a representative figure who follows the laws and rules of calligraphy.

 

张渊崧的书法标新立异、匠心独具、多变灵活、浑厚有力,给我留下深到印象。此乃书见其功,后生可畏。他的作品充分体现汉字本身美的素质,合乎平正、勾称、飞动、 性灵等原则的要求,其作品有势、有气,有韵,灵动之中加之有节奏的变化.笔墨豪放,典雅飘逸。

他的书法作品章法善于布置,多变灵活,疏密有致,顾盼生姿,洒脱流畅,书写中通过不同的线型交替变化和发展,增强了作品的妙趣和艺术感染力.书法作品柔中有刚,秀中见奇,可谓乃笔爽爽如有神助,给读者强烈的艺术感染力,已达到雅俗共赏的效果,显示出他本人的道德修养和艺术修养。 书法艺术首先要有的是文字本身以外的欣赏性、可读性。通俗的讲就是要可看、好看、看不够,给人们带来精神上的艺术享受,这才是书法艺术的魅力,启功先生生前曾评价他的作品"下笔干均力,落墨如有神。"虽是鼓励,实不为过。 书法继承难,创新更难,在创新之中形成自己的个性和风格难上加难,而书法只有创新才能发展也只有创新才是书法发展的目的。

I was deeply impressed by Zhang Yuansong's innovative, ingenious, flexible, vigorous and powerful calligraphy. This is a book. Seeing its skill, the younger generation is awesome. His works fully reflect the quality of the beauty of Chinese characters and meet the requirements of the principles of fairness, articulation, flying and spirit. His works have potential, Qi and rhyme. There are rhythmic changes in their flexibility Bold pen and ink, elegant and elegant.

The composition of his calligraphy works is good at layout, changeable and flexible, dense and coherent, looking forward to life, free and easy and smooth. Through the alternating change and development of different linetypes in his writing, the charm and artistic appeal of his works are enhanced Calligraphy works are soft and hard, and strange in show. It can be said that it is refreshing. If God helps, it gives readers a strong artistic appeal, which has achieved the effect of both refined and popular tastes, and shows his own moral and artistic cultivation. The art of calligraphy should first have appreciation and readability beyond the text itself. Generally speaking, it is to be able to see, good-looking and not enough, so as to bring people spiritual artistic enjoyment. This is the charm of calligraphy art. Mr. Qigong once commented on his works before his death that "writing is even and ink is like God." Although it is encouragement, it is not too much. Calligraphy inheritance is difficult, innovation is more difficult, and it is even more difficult to form their own personality and style in innovation. Only innovation can develop calligraphy, and only innovation is the purpose of calligraphy development.

 

张渊崧的书法作借古人之本,又有自己的个性追求,学古而不泥古,他是一位难得的艺术人才。 他多次在国内外参加各种书法展览,都引起了极大的反响轰动,因而他的作品有了更多的欣赏人群。任何事物都是仁者见仁,智者见智,对艺术的欣赏应有标准,但也不能强求绝对统一,刻求一致, 仁者不能责之以不智, 智者不应以责之以不仁,这才是君子之道。书法艺术新生的人才是我国继承和发展书法事业的宝贵财富,我做为一个书法工作者者,有责任支持这些人,鼓励这些人、帮助这些人,保护这些人。 张渊崧近来由人民美术出版社出版的《中国传统文化名家大典书画名人卷》,十分可观。

这是他学艺多年的艺术结晶,值得书法工作者及书法爱好者学习和参考。对于他的书法我只是观有所得,独家之言,以求方家们的教正而已矣。

点评人:欧阳中石

Zhang Yuansong's calligraphy is based on the ancients and has his own personality pursuit. He learns from the ancients rather than the ancients. He is a rare artistic talent. He has participated in various calligraphy exhibitions at home and abroad for many times, which has caused a great response and sensation, so his works have more appreciation people. Everything is benevolent and wise. There should be standards for the appreciation of art, but we can't insist on absolute unity and consistency. Benevolent people can't blame it for being unwise, and wise people shouldn't blame it for being unkind. This is the way of a gentleman. The new talents of calligraphy art are the precious wealth for China to inherit and develop calligraphy. As a calligrapher, I have the responsibility to support, encourage, help and protect these people. Zhang Yuansong's book of famous calligraphers and painters of Chinese traditional culture, recently published by the people's Art Publishing House, is very impressive.

This is the artistic crystallization of his years of learning, which is worthy of learning and reference for calligraphy workers and calligraphy lovers. As for his calligraphy, I just got some ideas and exclusive words, so as to seek the teaching and correction of the fangs.

Commented by: Ouyang Zhongshi